DrumTube.net
Yes, it’s YouTube for Drummers.
From mikedolbear.com.
David Caruana talks about stuff - drumming, software and stuff
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Yes, it’s YouTube for Drummers.
From mikedolbear.com.
http://www.londoninternationalmusicshow.com/
This year Drummer Live has become part of the mega “London International Music Show”. So, we now get Guitar Show, Drummer Live, Sound Recording & Technology and Unplugged all for the price of a single ticket.
Good value, but I fear it will be even less intimate than it already was. ExCel, its home, doesn’t help.
Still, I have tickets - it’s hard to resist Derico Watson (Victor Wooten Band), Ray Luzier (Korn & Army Of Anyone), Chad Smith (Red Hot Chilli Peppers), Pete Ray Biggin (Mark Ronson), Roy Mayorga (Stone Sour), Gavin Harrison (Porcupine Tree), Jason Bonham (Led Zeppelin & Foreigner)
Tickets on sale - WWW.DRUMFEST.NET
My favourite UK event returns for its 10th year. Features a full retail village and will include performances from:
TERRY BOZZIO / THOMAS LANG / STEVE WHITE / RUSS MILLER / KEITH HARRIS / JEREMY STACEY / MIKE TERRANA / CHRISS PENNIE / DOM FAMULARO
Checkout these smooth “CG” animations to drum solos from animusic.com
Or, browse from the wider range they offer.
Charity event hosted by my local drum shop ‘Drumwright‘.
Drummers playing include Brian Bennet, Clem Cattini, Bob Henrit, Ric Lee, Bobby Orr and Nigel Shipway. Good raffle too.
Thursday 28th February at Rivermead, Reading, UK.
£15 a ticket (or £10 for students).
Unfortunately, my iMac won’t fit.
Proof that drums are sexier than guitars. Several advertising campaigns now feature them, but one in particular beats the rest.
http://www.aglassandahalffullproductions.com/ (thanks Karl for the link)
Video Transcript
We open on purple recording studio wall.
A title appears: A Glass and a Half Full Production.
We start listening to the first sounds of ‘In The Air Tonight’ by Phil Collins.
The camera slowly pans down as we hear the keyboard’s atmospheric intro. When we start listening to the first lyrics we spot a hairy thing in the edge of the frame. As the camera keeps panning, the mysterious figure gets revealed.
We realize that in front of us is a gorilla.It looks calmly to camera. Phil continues singing: ‘I can feel it coming in the air tonight.’
The massive Gorilla stares at us - concentrated.
We are almost sure that he knows we are filming him, but his eyes look through and beyond the lens. ‘I’ve been waiting for this moment for all of my life.’
The gorilla focuses back on the camera. All we see is neck and head . And hair.
The camera gently zooms out revealing the Gorilla’s surroundings. We see more of the studio.
And we discover a series of metallic things around him.
We realize that the Gorilla is sitting in front of a massive drum kit. One of those Eighties big kits with loads of things to hit. Loads of tom-toms, hi-hats, double bass drum, etc.
We know that the best drum solo in the whole history of rock - ever - is coming. The Gorilla knows it too.
The Gorilla hits the drums with passion and vigour. Elegance meets power. He’s phenomenal on the drums - feeling every beat.
The camera leaves the ape and his drum kit in the studio.
The screen fades to purple. We see a Cadbury Dairy Milk bar of chocolate appear above the words ‘A Glass and a half full of Joy’.
Just this week I attended the Rush gig at Wembley (UK), part of their Snakes & Arrows tour. Of the three Rush tours I’ve been to (all at Wembley and all with Chris & Julian), this ranks top. Purely, because the band were relaxed, enthusiastic, and enjoying themselves.
No doubt Rush are proud of their latest material; Snakes & Arrows is a solid album with superb production. The positive reaction has re-ignited Rush and it showed in their performance. Although at Wembley, the atmosphere felt like a fresh band at the local pub, including an enthusiastic giving audience. This is how it should be; R30 (the previous tour) on the other hand may have been too much to undertake; the pressure to put on a spectacular show; the pressures outside out of band life too tiring, whatever it was, R30 didn’t quite hit the mark.
This time though, the audience had spectacular new material to hear & classics which hadn’t been played live for years, combined with a slightly updated Wembley arena (which improved the usually horrible acoustics), energetic band members (Neil Peart, for example, pounded his drums till the very last note) and complementary video backdrops, including this amusing South Park intro. The show rocked.
From the set list, my personal favourites on the night were Mission, Monkey Business, Circumstances, Dreamline, Far Cry, Armor & Sword, Witch Hunt, Malignant Narcissism, the solo (of course), Tom Sawyer and YYZ.
Each time we see Rush live in the UK, we believe it’ll be the last time. However, this time we believe they’ll be back - the re-ignited Rush may just have more material in them.
That’s it for now - I’ll leave you with Neil Peart’s “The Game of Snakes And Arrows“, the introduction to the tour programme.
Early days still, but the line-up includes:
Not the usual crowd for a UK event, plus a first I believe, some female drummers.
See my review of last years event.
If you attend one clinic this year (apart from the mega-drum-shows), I’d recommend Stanton Moore. See my mini-review of him from last year.
He’s playing 29th Sept -> 5th Oct 07 all over the UK. Details at mikedolbear.com.